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Five contributors, including the editor, posit alternative modes of explanation, some of which are explored further in the critique of several world history textbooks and their misconceptions and false assumptions, as well as a review of the Europocentric-Afrocentric debate of the 1990s. Other major topics addressed here are the historical writings on the Atlantic slave trade, reformist feminist evangelism, and the various forces involved in the development of Africanist theories and models.

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Africa Through the Eyes of Women Artists generates energy, history, contemporary ideas, and the natural elements of expression that converge in a centrifugal purpose. The lens of women artists and their unique frames of reference provide a beautifully treated and authentic collage of the African experience.

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The relationship between African women and feminism is a contentious one. Embedded in this connection is the question of whether sisterhood—a mantra assuming a common oppression of all women and signifying feminist international/cross-cultural relations—describes the symbolic and functional representation of African women. The contributors in this book are aware of the global discourse on women as articulated by Western feminists and interrogate the issues raised by the misinterpretation of African women of both black and white American feminists. The implications of the dominance of Western men and women in the production of knowledge about Africa are also explored.

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The phenomenon of globalization has influenced the African social and cultural landscape in a variety of ways. Yet its effect on women’s lives has not figured prominently in the scholarship on Africa. This edited volume attempts to change this by bringing together theoretical and conceptual approaches that place African women at the center of the discourse on global societies.

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This book is an ambitious, extensive and detailed analysis of the roles played by African women in seven revolutionary movements in post World War II Africa. The revolutionary movements covered in this book occurred in: Algeria, Kenya, Guinea-Bissau, Mozambique, Angola, Zimbabwe, and South Africa. The book describes and analyzes the nature and impact of women’s participation in these revolutionary movements. How did these revolutionary movements define women’s liberation? What is the linkage between feminist theories of liberation and national liberation? Did the national liberation movements betray women...?

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Novels in English by northern Nigerian writers are few, so the arrival of a new one is an exciting literary event. This dramatic story of the efforts of the heroine and her friends to bring about change in the social conditions of women in Nigeria addresses pressing political issues which rarely appear in fiction--the legal status of Muslim women, the limitations imposed on them by traditional and religious conventions, the restrictions on their economic activities, the effects of a corrupt patriarchal system on the society at large and women in particular, the humiliations visited on women as a result of unquestioned male power in personal relationships--from a woman's point of view. Ingeniously conceived and deftly written, this is a story about the emancipation of women in Nigeria from within. Not simply a social document, it engages the reader's sympathy through its portrayal of the attractive and believable woman after whom it is titled--Amina.

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